“My mother cried when I got a job as an officer at the Bored Monkey Yacht Club, one of the leading social monkey clubs. She grunt and grunt and peeled one of our finest bananas. ” “You are about to meet some of the best monkeys in the world,” Jenkins said. “She rolled her eyes. She had the power to decorate, and in the end, I was going to become a policeman. ”
Jenkins the Valet is a big-eyed chestnut service monkey that looks pretty ordinary, but in his work jacket and Irish boho hat, he is considered a hardworking professional, a true embodiment of discretion and perhaps one of the best. boring monkeys. In the world of the Bored Ape Yacht Club (BAYC).
As another BAYC icon, Jenkins has since grown into a project and story in its own right. Jenkins is talking on multiple platforms by an anonymous man who studied creative writing in college and spent the past six years as a product manager for a large consumer technology company. Jenkin’s partner, Safa, is the founder of the network he himself described, has full experience in marketing and runs his own creative agency.
Six months ago, Jenkins revealed his connection to storytelling and thus his intentions to uncover unthinkable secrets, first-hand stories and possibly shady criminal activity at the Bored Ape Yacht Club.
In the words of Jenkins himself: “Damn, I killed a man.”
NFT Collection “Writer’s Room”. Source: Jenkins Server
Jenkins the Valet: The Writer’s Room is a collection of 6,942 non-fungible tokens (NFTs) that serve as virtual compasses for the creative direction of Jenkins’ meta-vertical novels, the first of which will be a feature-length novel sponsored by the Creative Artists Agency, written by Neil Strauss, author of The New York bestselling book Times.
The NFT in the Writer’s Room is subdivided into four levels and increases in size from the lowest ticket teller with five votes to the Yacht Key and Valet Stand, which have 10 and 50 votes, respectively, to the premium WAGMI Yacht which gives 215 votes.
Installed as exclusive chairs at a table in the famous Jenkins Writers’ Room, these owners are synonymous with the film industry, but here at Web 3.0 it serves as a digital portal to facilitate questions and suggestions from Strauss and other community members about genres. plot, characters and general concept of the story.
The character’s involvement in the novel ranges from simple identification to the trait of the protagonist, depending on the level of origin.
Once the book is published, licensors are entitled to 50% of the net profit from all forms of distribution, including initial sales of the NFT book, aftermarket commissions, royalties from physical sales, and film and television adaptations of the work. …
The project is overseen by Metaverse subsidiary Tally Labs and supported by a six-team advisory board that includes Fractional founder Andy Chorlian, Redbeard Ventures founder Drew Austin and investor Gmoney.
It was clear from Cointelegraph’s conversation with Jenkins and Safa that the couple see the project as a positive intersection of their interests, skills, and professional experience, and thus represents the culmination of their creative endeavors up to this point.
Zoom interview slightly modified for clarity and concise to accommodate reading restrictions.
Cointelegraph: Jenkins, Safa, thanks for joining us today. First of all, could you please tell us about your current roles in the Jenkins project and what that means day in and day out?
Safa: We both wear a lot of hats, but in general, everything related to technology belongs to Jenkins. This is in addition to the writing, the voice of the character you see on social media and the city hall, and overseeing the entire development team.
I do a lot of marketing, social media strategies, finance and operations. We are both in corporate governance. To be honest, apart from technology, we both overlap a bit.
Jenkins: There is one more thing I want to say that you (Safa) are doing, which I think is very important. You gave me the honor to vote Jenkins, but you created the Jenkins brand and you spend a lot of time thinking about how other people will perceive the project. I think this is what our community and society as a whole like about our project.
Jenkins cites the physical footage shown at NFT in New York last month as a good example of how Safa’s experience has enabled them to integrate their social audience into a physical monument and how it has been appreciated by the community.
